一九八○年、一九八二年先后在北京举行的全国舞台美术理论座谈会和全国舞台美术展览会之后,一九八四年三月一日至十日在杭州西子湖畔举行的苏、浙、皖、沪三省一市舞台美术理论座谈会,是又一次探讨舞美学术问题的盛会。这次会议围绕着舞台美术的功能、舞台灯光、戏曲舞美创新、民族精神与时代感及如何为八亿农民服务等五个专题展开了学术讨论。会议印发了与会代表关于这五个专题方面的学术论文五十四篇。 In 1980 and 1982 respectively, the National Stage Art Theory Symposium and the National Stage Art Exhibition were held in Beijing in succession. The Soviet Union, the Soviet Union and the Republic of China held in Hangzhou West Lake from March 1 to March 10, 1984, Zhejiang, Anhui, Shanghai and three provinces and one city stage art theory forum, is once again to discuss the grand occasion of the United States and the United States. The conference centered on the functions of stage art, stage lighting, opera and dance innovation, national spirit and the sense of the times and how to serve 800 million peasants and other five topics held an academic discussion. Fifty-four academic papers on these five topics were printed at the conference.