宁才执导的《额吉》,作为一部以蒙语“母亲”为片名的影片,承袭着文艺创作的一个基本母题——母爱。与同类主题的其他作品不同,《额吉》是在蒙族文化/上海文化的近乎二元对立的参照中,来实践这一母题的表达的。在当代中国电影中,这种二元对立的创作倾向, As a film titled “Mongolian” “Mother”, Ning Yi inherited the “Lucky Boy”, inheriting one of the basic motifs of literary creation - motherly love. Unlike other works on the same kind of subject, Sojny practices the expression of this motif in the almost binary opposition of Mongolian culture / Shanghai culture. In contemporary Chinese movies, this dualistic tendency of creation,