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石涛是中国古代美术史上最后一位在绘画与画论领域皆有造诣的两栖明星,其传世画论《画语录》不仅是首先作为大画家的天才艺术感悟,更是传统绘画理论与哲学美学思想的集大成之作。石涛构建了一个融合宇宙本体论、艺术本体论、艺术个性论的绘画美学体系,亦是对千年中国的绘画及画论传统作了一次艰涩的总结。本文通过对《画语录》中的“一画”论作重新解读,试图揭示其在以儒释道为核心的传统语境中作理论整合的成功经验与尴尬之处,并尝试追询传统画论在近代所以式微的深层缘由。
Shitao is the last amphibious star in the history of ancient Chinese art with his accomplishments in the fields of painting and painting. His biography of painting “Painting Quotations” is not only the first perception of genius as a great painter, but also the theory of traditional painting and philosophical aesthetics Set masterpiece. Shi Tao constructed a painting aesthetics system which fused cosmology ontology, art ontology and artistic personality theory. It also made an arduous summary of the traditional Chinese painting and painting theory in the millennium. This article tries to reveal the successful experiences and awkwardness in theoretical integration in the traditional context centered around Confucianism, Buddhism and Taoism through the reinterpretation of "One Painting The traditional theory of painting in the modern style of micro-deep reason.