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时值中国共产党成立90周年之际，全国人民都在以饱满的热情、丰硕的成果向党献礼，各种媒体、各类文艺作品都在讴歌党的伟大历程。
由中央电视台、中央人民广播电台、中国音乐家协会、中国艺术研究院共同主办的“唱响中国——群众最喜爱的新创作歌曲”征集评选活动，群众的参与热情非常高。从全国18000多件参评歌曲中遴选出来的36首入围歌曲，风格形式多样，旋律优美动听，从不同的角度唱响时代主旋律，歌颂党，歌颂祖国，讴歌美好生活。
更让我们欣喜的是，由杭州市文联、杭州市音协推选的新创歌曲《南湖菱花开》名列其中。
该曲目由汤昭智作词、张卫东作曲，曹芙嘉演唱。歌曲旋律清新自然，洋溢着江南的优美韵律。歌词以南湖菱花之美，演绎庄严的南湖红船和前进中的中国。
记者为此专访了歌曲《南湖菱花开》的主创团队，来看看这首歌颂党歌颂人民的歌曲是怎样出炉的。
烟雨楼下风起云涌
红船领航一路梦想与光荣
作曲张卫东：小角度，大题材
《南湖菱花开》曲作者张卫东是位朴实的艺术家，从县文化馆、市群众艺术馆干部到现在担任浙江省群众艺术馆馆长，他已经从事了将近30年的群众文化工作。他说：“每年有大量的群众文化活动，基层辅导工作和单位行政事务，我和很多群文战线上的同志一样，经常没有节假日，很忙，也很累。但我深深热爱群众文化，这是我的本职工作。”
正是群众文化工作给了张卫东丰富的创作素材和时常的创作冲动，鲜明的地域特色、浓郁的生活气息是群众文艺创作的优势，也是群众文艺创作所一直强调与追求的。长期的生活积累、日常的细致观察、独特的视角发现对于艺术创作至关重要，这直接推动了他开始这首歌的创作。
对于这次重大的全国征歌活动，在题材的选择上，作为浙江的作者自然就想到了让浙江人引以自豪的嘉兴南湖红船，但如何找到一个新的切入角度来表达人民群众和党的血肉情感，则是考虑的重点。
其实，张卫东早就想为嘉兴南湖红船写一首歌，可之前有那么多关于红船的歌，该从哪里下手呢？“有一天站在岸边，南湖上那满湖的浓绿菱蓬与醒目的鲜红游船相互辉映，这景象一下子就打动了我。”张卫东回忆说，更何况菱蓬上还有许多菱花，这是种不起眼的花，只有米粒大小，每年夏天“七一”前后会盛放在湖面。可很少有人会注意这些把湖面染上星星点点的白或粉红的花，更叫不出它的名字。
“这不就象征我们的人民群众的朴实么？无论在革命战争年代，还是和平建设时期，他们跟随着我们的党，默默地奉献着一切甚至生命而无怨无悔。细细去想，怎能不让人感动？”以人为本，关注民生，是这个时代的主旋律。张卫东知道，他找到了那首歌。
就这样，一首从老百姓的角度来写的歌有了它最初的创意。虽然歌曲的题材和角度让张卫东满意和兴奋，但创作过程却是从未有过的慎重：确定了“小角度，大题材”的创作方法之后，酝酿音乐就用了一个多月，设计了六七个方案，最后才决定用他最拿手的江南风格音调结合通俗节奏处理，采用通俗女声独唱这一最终方案并一气呵成。曲与词作者无数次地讨论推敲，直到最后录音送审前还在商量修改，
“我与词作者反复商量，推敲，修改，直到满意为止。为一句歌词或一两个字或词句，我和上海的词作者来回打电话讨论，甚至在深更半夜也是常事。我一直这么认为，特别是在当今时代，一个创作已达到一定成熟程度的曲作者，一首歌的题材、角度选对、选好了，作品就成功了一半，歌词太重要了！对于歌词，曲作者应该有自己的思考并参与其中。”张卫东说。
红船上亮起一盏明灯
点燃菱花生生不息的情
作词汤昭智：含蓄的语言与强烈的冲击力
歌曲的词作者汤昭智是张卫东多年的好友，在张卫东口中是“值得信赖和有着难得默契的人”。这位复旦大学中文系毕业的校友，现为中国音乐文学学会常务理事、上海音乐文学专业委员会主任。他的《假如你要认识我》被评为“当代青年喜爱的歌”；《远山》在亚洲音乐节上获创作银奖；《世界因我而美丽》等获“星光奖”、“金鸡奖”、“群星奖”各项政府奖。更以优秀词作成为上海国际服装节、旅游节、国际电影节等多个文化节庆的节歌。
创意之初，张卫东就找到了他，两个人一拍即合，确立了这首《南湖菱花开》的主创团队。采访中，汤昭智多次提起了这次合作里的一个小小巧合，他是上海人，党的一大就是先在上海召开，然后转移到嘉兴南湖的，而嘉兴正好在杭州与上海中间，他们两个都对南湖很熟悉。
汤昭智说，他在这首作品的创作中，尽可能让歌词语言与音乐语言含蓄但有较强冲击力，概括但有准确指向性，朴实但有艺术感染力。“我看重的是艺术和艺术所蕴含的力量，能让我们的作品飞得更高，能让我们的作者走得更远，所以不仅关注它想要表现什么，和它表现的是什么，更加关注它如何去艺术地表现我们的时代。”
所以，在歌词中，汤昭智努力通过菱花与红船相依相伴、不离不分的客观景象，来体现人民群众对我们党的真情实感和我们党为人民谋利益就必然会得到人民拥戴的深刻内涵。
“在我们的词坛上，一般化的作品太多，而真正‘出挑’的作品太少。所以我提出了歌词作品要创新的问题。创新，也就是说要与众不同，不要人云亦云。首先是力求在创作思路上与众不同。其次是力求在表现题材上，寻找新的空间。人家还没有涉及到，而又具有生长空间的题材，我会尝试着去写。当然，表现题材求新有一个前提，就是我们所要表现的题材，一定是体现社会发展的，能表达大众心声，愉悦大众情感的题材，而不是相反。作为一种文艺创作，歌词应该讲究一点意境美，情感美。情感是歌词的精华，歌词要表现出现代人的内在情感。人们需要有内涵、有意境的歌曲。这就对我们在语境表现方面提出了更高的要求。”汤昭智如是说。
让那清清灵灵的身影摇曳多姿
南湖菱花开灿若繁星
演唱曹芙嘉：大气而深情的演唱中融入了她的心曲
人们都说，这首歌是为曹芙嘉量身定制的。
她却笑着摇摇头说：歪打正着。
主创团队向记者透露，原本这首歌创作完成后，想邀谭晶演唱。但因她临时有任务，时间安排不过来。所以，才有了后来曹芙嘉的闪亮登场。
被誉为“内地最受欢迎潜力歌手”的曹芙嘉毕业于苏州大学艺术学院音乐系，现为第二炮兵政治部文工团声乐演员。2010年参加“全国第九届声乐大赛”获声乐界最高专业奖“文华奖”金奖。
“希望这首歌能有浓郁的地方特色，同时也能在群众中传唱。”为此，主创团队专门降低了歌曲里的技巧难度，好让老百姓通过听歌就能学会怎么唱。而这首歌最终选用了最考验作品质量的女声独唱方式来演唱，也是为了让这首歌更适合流传。从杭州市推选至省里参评到全国入选36首后的最终改定稿，分别在杭州和北京进棚录制了3次。获得金钟奖通俗唱法组金奖的年轻歌手曹芙嘉在这过程中脱颖而出，她还不是太出名，可很多人听了这首歌，都会问，这首歌是不是专门为她写的，“我们知道找对人了，她的二度创作能力很强。”张卫东很兴奋。
专家们称赞，大气而深情的演唱中，融入了她心曲的部分：温和细诉中，旋律和歌词相依相生，通过张弛有度的表演方式，在短短4分58秒内完成了层次丰富的情感表达，同时完成了对中国共产党一路征程的深情歌颂。曹芙嘉深厚的唱功很好地完成了这一首歌曲的思想内容表达。
网友们纷纷评论，这是首“越听越有味”的江南歌曲。主创们说，他们能看见这首歌流传得更广、传唱得更久些，就已经达到了创作的初衷。□
Song Celebrates CPC Birth on South Lake
By Qi Yongye, our special reporter
In celebration of the 90th anniversary of the founding of the Communist Party of China in 2011, the China Central Television, the Central People’s Radio, China Musicians Association, and China Institute for Art Researches started in July 2010 an event to solicit songs in celebration of the historical founding of the party. Altogether thirty-six songs have been short-listed from more than 18,000 candidates. “Water Chestnut Flowers Bloom on South Lake”, a song recommended by Hangzhou Federation of Literary and Art Circles and Hangzhou Musicians Association, is on the shortlist.
With lyrics by Tang Zhaozhi, music by Zhang Weidong, and sung by Cao Fujia, the song celebrates the founding of the party in a unique way. It uses a symbol: the blooming water chestnut, an aquatic plant that abounds on the lake in Jiaxing, a central city of northern Zhejiang Province.
The Composer
Zhang Weidong, now director of Zhejiang People’s Cultural Center, has been engaged in grassroots cultural activities for nearly thirty years. Cultural centers across China form a nationwide network of grassroots culture and art organizers and promoters. They sponsor and advance regional and local folk arts, among other things on their job descriptions. After learning the nationwide solicitation of songs in commemoration of the 90th anniversary of the CPC, Zhang naturally thought of the South Lake in Jiaxing, where the thirteen founding fathers gathered to continue the sessions of the first national congress of the CPC after the security situation in Shanghai became precarious in July 1921.
The idea was natural and good, but there had been numerous songs that chose the red boat as a symbol. Zhang wanted something new and original. He visited the lake for inspiration. Seeing the green leaves of water chestnuts covering the lake in graceful contrast with the boat in bright red, Zhang thought he found an appropriate metaphor for his song. Water chestnuts have flowers as tiny as rice. In mid summer, these flowers are everywhere in white or light pink on the lake. “Aren’t they a symbol for the Chinese people that have followed the CPC through the revolution and national reconstruction in peace time?” commented Zhang.
Zhang called his friend Tang Zhaozhi in Shanghai and talked about the image and his inspiration. They decided to work together. They decided to write a song that uses a seemingly inconspicuous image to sing of a major theme. For more than a month, the composer toyed with seven musical possibilities of the song and then decided to write a melody in the local style of the south of the Yangtze River Delta, a melody for a pop song female singer. To make the melody and lyrics fit perfectly, the two songwriters phoned each other frequently to coordinate their inspirations.
The Songwriter
Tang Zhaozhi and Zhang Weidong have been friends for years. In the eye of Zhang Weidong, Tang is a trustworthy man and perfect songwriting partner. A graduate of Chinese Department of Shanghai-based Fudan University, Tang is now a managing director of China Music Literature Association and president of Shanghai Committee for Professionals of Music Literature. He has won a full range of awards for his lyrics at national and municipal level. Tang believes that he is the right man for the lyrics: the first national congress of the CPC was held in Shanghai before the participants moved to the South Lake. The two decided to make it simple so that people could easily learn it and love it.
The Singer
Many people who know singer Cao Fujia believe that the song was tailor-made for Cao. It wasn’t. The songwriters created the song for Tang Jing, a singer of national renown. As Tang was engaged in some important assignment, someone else must be found. The song went through different stages of appraisal before it was submitted for national selection. The song was recorded three times in Hangzhou and Beijing. During this long process, Cao Fujia was thought to be the ideal singer for the song. Though Cao won Golden Bell prize for her pop-styled singing, she is by no means a well known singer. But the two songwriters are convinced that she interprets the song in a creative way and that she is the right person for the 4-minute 58-second song. □
由中央电视台、中央人民广播电台、中国音乐家协会、中国艺术研究院共同主办的“唱响中国——群众最喜爱的新创作歌曲”征集评选活动，群众的参与热情非常高。从全国18000多件参评歌曲中遴选出来的36首入围歌曲，风格形式多样，旋律优美动听，从不同的角度唱响时代主旋律，歌颂党，歌颂祖国，讴歌美好生活。
更让我们欣喜的是，由杭州市文联、杭州市音协推选的新创歌曲《南湖菱花开》名列其中。
该曲目由汤昭智作词、张卫东作曲，曹芙嘉演唱。歌曲旋律清新自然，洋溢着江南的优美韵律。歌词以南湖菱花之美，演绎庄严的南湖红船和前进中的中国。
记者为此专访了歌曲《南湖菱花开》的主创团队，来看看这首歌颂党歌颂人民的歌曲是怎样出炉的。
烟雨楼下风起云涌
红船领航一路梦想与光荣
作曲张卫东：小角度，大题材
《南湖菱花开》曲作者张卫东是位朴实的艺术家，从县文化馆、市群众艺术馆干部到现在担任浙江省群众艺术馆馆长，他已经从事了将近30年的群众文化工作。他说：“每年有大量的群众文化活动，基层辅导工作和单位行政事务，我和很多群文战线上的同志一样，经常没有节假日，很忙，也很累。但我深深热爱群众文化，这是我的本职工作。”
正是群众文化工作给了张卫东丰富的创作素材和时常的创作冲动，鲜明的地域特色、浓郁的生活气息是群众文艺创作的优势，也是群众文艺创作所一直强调与追求的。长期的生活积累、日常的细致观察、独特的视角发现对于艺术创作至关重要，这直接推动了他开始这首歌的创作。
对于这次重大的全国征歌活动，在题材的选择上，作为浙江的作者自然就想到了让浙江人引以自豪的嘉兴南湖红船，但如何找到一个新的切入角度来表达人民群众和党的血肉情感，则是考虑的重点。
其实，张卫东早就想为嘉兴南湖红船写一首歌，可之前有那么多关于红船的歌，该从哪里下手呢？“有一天站在岸边，南湖上那满湖的浓绿菱蓬与醒目的鲜红游船相互辉映，这景象一下子就打动了我。”张卫东回忆说，更何况菱蓬上还有许多菱花，这是种不起眼的花，只有米粒大小，每年夏天“七一”前后会盛放在湖面。可很少有人会注意这些把湖面染上星星点点的白或粉红的花，更叫不出它的名字。
“这不就象征我们的人民群众的朴实么？无论在革命战争年代，还是和平建设时期，他们跟随着我们的党，默默地奉献着一切甚至生命而无怨无悔。细细去想，怎能不让人感动？”以人为本，关注民生，是这个时代的主旋律。张卫东知道，他找到了那首歌。
就这样，一首从老百姓的角度来写的歌有了它最初的创意。虽然歌曲的题材和角度让张卫东满意和兴奋，但创作过程却是从未有过的慎重：确定了“小角度，大题材”的创作方法之后，酝酿音乐就用了一个多月，设计了六七个方案，最后才决定用他最拿手的江南风格音调结合通俗节奏处理，采用通俗女声独唱这一最终方案并一气呵成。曲与词作者无数次地讨论推敲，直到最后录音送审前还在商量修改，
“我与词作者反复商量，推敲，修改，直到满意为止。为一句歌词或一两个字或词句，我和上海的词作者来回打电话讨论，甚至在深更半夜也是常事。我一直这么认为，特别是在当今时代，一个创作已达到一定成熟程度的曲作者，一首歌的题材、角度选对、选好了，作品就成功了一半，歌词太重要了！对于歌词，曲作者应该有自己的思考并参与其中。”张卫东说。
红船上亮起一盏明灯
点燃菱花生生不息的情
作词汤昭智：含蓄的语言与强烈的冲击力
歌曲的词作者汤昭智是张卫东多年的好友，在张卫东口中是“值得信赖和有着难得默契的人”。这位复旦大学中文系毕业的校友，现为中国音乐文学学会常务理事、上海音乐文学专业委员会主任。他的《假如你要认识我》被评为“当代青年喜爱的歌”；《远山》在亚洲音乐节上获创作银奖；《世界因我而美丽》等获“星光奖”、“金鸡奖”、“群星奖”各项政府奖。更以优秀词作成为上海国际服装节、旅游节、国际电影节等多个文化节庆的节歌。
创意之初，张卫东就找到了他，两个人一拍即合，确立了这首《南湖菱花开》的主创团队。采访中，汤昭智多次提起了这次合作里的一个小小巧合，他是上海人，党的一大就是先在上海召开，然后转移到嘉兴南湖的，而嘉兴正好在杭州与上海中间，他们两个都对南湖很熟悉。
汤昭智说，他在这首作品的创作中，尽可能让歌词语言与音乐语言含蓄但有较强冲击力，概括但有准确指向性，朴实但有艺术感染力。“我看重的是艺术和艺术所蕴含的力量，能让我们的作品飞得更高，能让我们的作者走得更远，所以不仅关注它想要表现什么，和它表现的是什么，更加关注它如何去艺术地表现我们的时代。”
所以，在歌词中，汤昭智努力通过菱花与红船相依相伴、不离不分的客观景象，来体现人民群众对我们党的真情实感和我们党为人民谋利益就必然会得到人民拥戴的深刻内涵。
“在我们的词坛上，一般化的作品太多，而真正‘出挑’的作品太少。所以我提出了歌词作品要创新的问题。创新，也就是说要与众不同，不要人云亦云。首先是力求在创作思路上与众不同。其次是力求在表现题材上，寻找新的空间。人家还没有涉及到，而又具有生长空间的题材，我会尝试着去写。当然，表现题材求新有一个前提，就是我们所要表现的题材，一定是体现社会发展的，能表达大众心声，愉悦大众情感的题材，而不是相反。作为一种文艺创作，歌词应该讲究一点意境美，情感美。情感是歌词的精华，歌词要表现出现代人的内在情感。人们需要有内涵、有意境的歌曲。这就对我们在语境表现方面提出了更高的要求。”汤昭智如是说。
让那清清灵灵的身影摇曳多姿
南湖菱花开灿若繁星
演唱曹芙嘉：大气而深情的演唱中融入了她的心曲
人们都说，这首歌是为曹芙嘉量身定制的。
她却笑着摇摇头说：歪打正着。
主创团队向记者透露，原本这首歌创作完成后，想邀谭晶演唱。但因她临时有任务，时间安排不过来。所以，才有了后来曹芙嘉的闪亮登场。
被誉为“内地最受欢迎潜力歌手”的曹芙嘉毕业于苏州大学艺术学院音乐系，现为第二炮兵政治部文工团声乐演员。2010年参加“全国第九届声乐大赛”获声乐界最高专业奖“文华奖”金奖。
“希望这首歌能有浓郁的地方特色，同时也能在群众中传唱。”为此，主创团队专门降低了歌曲里的技巧难度，好让老百姓通过听歌就能学会怎么唱。而这首歌最终选用了最考验作品质量的女声独唱方式来演唱，也是为了让这首歌更适合流传。从杭州市推选至省里参评到全国入选36首后的最终改定稿，分别在杭州和北京进棚录制了3次。获得金钟奖通俗唱法组金奖的年轻歌手曹芙嘉在这过程中脱颖而出，她还不是太出名，可很多人听了这首歌，都会问，这首歌是不是专门为她写的，“我们知道找对人了，她的二度创作能力很强。”张卫东很兴奋。
专家们称赞，大气而深情的演唱中，融入了她心曲的部分：温和细诉中，旋律和歌词相依相生，通过张弛有度的表演方式，在短短4分58秒内完成了层次丰富的情感表达，同时完成了对中国共产党一路征程的深情歌颂。曹芙嘉深厚的唱功很好地完成了这一首歌曲的思想内容表达。
网友们纷纷评论，这是首“越听越有味”的江南歌曲。主创们说，他们能看见这首歌流传得更广、传唱得更久些，就已经达到了创作的初衷。□
Song Celebrates CPC Birth on South Lake
By Qi Yongye, our special reporter
In celebration of the 90th anniversary of the founding of the Communist Party of China in 2011, the China Central Television, the Central People’s Radio, China Musicians Association, and China Institute for Art Researches started in July 2010 an event to solicit songs in celebration of the historical founding of the party. Altogether thirty-six songs have been short-listed from more than 18,000 candidates. “Water Chestnut Flowers Bloom on South Lake”, a song recommended by Hangzhou Federation of Literary and Art Circles and Hangzhou Musicians Association, is on the shortlist.
With lyrics by Tang Zhaozhi, music by Zhang Weidong, and sung by Cao Fujia, the song celebrates the founding of the party in a unique way. It uses a symbol: the blooming water chestnut, an aquatic plant that abounds on the lake in Jiaxing, a central city of northern Zhejiang Province.
The Composer
Zhang Weidong, now director of Zhejiang People’s Cultural Center, has been engaged in grassroots cultural activities for nearly thirty years. Cultural centers across China form a nationwide network of grassroots culture and art organizers and promoters. They sponsor and advance regional and local folk arts, among other things on their job descriptions. After learning the nationwide solicitation of songs in commemoration of the 90th anniversary of the CPC, Zhang naturally thought of the South Lake in Jiaxing, where the thirteen founding fathers gathered to continue the sessions of the first national congress of the CPC after the security situation in Shanghai became precarious in July 1921.
The idea was natural and good, but there had been numerous songs that chose the red boat as a symbol. Zhang wanted something new and original. He visited the lake for inspiration. Seeing the green leaves of water chestnuts covering the lake in graceful contrast with the boat in bright red, Zhang thought he found an appropriate metaphor for his song. Water chestnuts have flowers as tiny as rice. In mid summer, these flowers are everywhere in white or light pink on the lake. “Aren’t they a symbol for the Chinese people that have followed the CPC through the revolution and national reconstruction in peace time?” commented Zhang.
Zhang called his friend Tang Zhaozhi in Shanghai and talked about the image and his inspiration. They decided to work together. They decided to write a song that uses a seemingly inconspicuous image to sing of a major theme. For more than a month, the composer toyed with seven musical possibilities of the song and then decided to write a melody in the local style of the south of the Yangtze River Delta, a melody for a pop song female singer. To make the melody and lyrics fit perfectly, the two songwriters phoned each other frequently to coordinate their inspirations.
The Songwriter
Tang Zhaozhi and Zhang Weidong have been friends for years. In the eye of Zhang Weidong, Tang is a trustworthy man and perfect songwriting partner. A graduate of Chinese Department of Shanghai-based Fudan University, Tang is now a managing director of China Music Literature Association and president of Shanghai Committee for Professionals of Music Literature. He has won a full range of awards for his lyrics at national and municipal level. Tang believes that he is the right man for the lyrics: the first national congress of the CPC was held in Shanghai before the participants moved to the South Lake. The two decided to make it simple so that people could easily learn it and love it.
The Singer
Many people who know singer Cao Fujia believe that the song was tailor-made for Cao. It wasn’t. The songwriters created the song for Tang Jing, a singer of national renown. As Tang was engaged in some important assignment, someone else must be found. The song went through different stages of appraisal before it was submitted for national selection. The song was recorded three times in Hangzhou and Beijing. During this long process, Cao Fujia was thought to be the ideal singer for the song. Though Cao won Golden Bell prize for her pop-styled singing, she is by no means a well known singer. But the two songwriters are convinced that she interprets the song in a creative way and that she is the right person for the 4-minute 58-second song. □