笔墨,这个很物质化的概念被视为中国传统绘画的基本要素和特征,其所包含的内容远远不止字面这么简单本文希望通过多角度地分析笔墨的特征来审视笔墨在如今时代生活中存在和发挥价值的可能。首先,笔墨作为中国传统绘画操作实践的基本工具材料,作为实现中国传统绘画特征的物质基础.一直沿用至今。各种材质(狼毫、羊毫、兔毛、獾毛、鼠须、猪鬃等)、形态(长短锋、粗细等)、功用(书法、勾勒、渲染等)的毛笔依然在使用,甚至因为一些个人化的操作特征而生产Ⅲ更多形式的毛笔;墨锭也没有因为墨汁的量产和普及而消失。似乎时代变迁对于作为丁具材料的笔墨并没有什么影响,或者说,作为 The concept of materialization is regarded as the basic element and characteristic of Chinese traditional painting, which contains much more than the literal meaning. This paper attempts to analyze the characteristics of ink and ink through multi-angle to examine the existence of ink in today’s modern times And to play the value of possible. First of all, ink and brush, as the basic tool for the practice of traditional Chinese painting, has been used as the material basis for realizing the characteristics of Chinese traditional painting. Brush of various materials (wolf, sheep, rabbit fur, badger hair, rat whiskers, bristles, etc.), morphology (length front, thickness, etc.), utility (calligraphy, sketching, rendering, etc.) is still in use even for some personalization Of the operating characteristics of the production of Ⅲ more forms of writing brush; ink bar nor because of the mass production and popularity of ink disappear. It seems that the changes in the times have had little effect on the writing as a tool, or as a