明未清初期间因外出海外谋生而往乡间带回“万国风情”的中西杂交式建筑风格在广东侨乡“遍地开花”。以欧洲文艺复兴后的建筑装饰风格为主体的“功能性建筑”在乡间因人为或客观自然因素而不断“分裂变种”。试以建筑装饰风格的角度思考:这种“变种”的因素是否完全充斥于整个侨乡实体建筑文化之中?而这种跨洋式的“杂交”产物又有何实用之美与借鉴意义? During the early Ming Dynasty, he returned to the country for living abroad and returned to the countryside for his “World Style” hybrid Chinese and Western architecture. In Europe after the Renaissance architectural style as the main “functional building ” in the country due to human or objective and natural factors “split variant ”. Trying to consider the architectural style of decoration: Is this “variant” full of elements in the whole Qiaoxiang entity architectural culture? And what is the practical beauty and reference of such a cross-oceanic “hybrid” product? significance?