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玉器的发展有着清晰的脉络,各朝各代玉器的工艺、造型、文化内涵均有不同。据文献记载,宋代商贾仿制前朝古物,目的谋利,尤以古玉也为不少。渊源后世的各朝仿古玉器大量出现,传至今日。汉代文化发展的成就,也使玉器呈现出一派繁荣的景象,在中国玉器的发展史上,起着承上启下的作用。清代早期,嗜古入迷的乾隆皇帝,命宫中工匠仿制前朝各代古玉,供其赏玩,也带动民间如苏杭,西安等地仿古玉
The development of jade has a clear context, each generation of jade craft, modeling, cultural connotation are different. According to the literature, merchants in the Song Dynasty imitated the former antiquities to profit, especially for jade. Origins of the later generations of antique jade appeared in large numbers, reached today. The achievements of the Han Dynasty’s cultural development have also given the jade a prosperous sight. It plays a role in the development of Chinese jade history. In the early Qing Dynasty, the eternal fascination with Qianlong emperor, life palace artisan imitation of various generations of ancient jade, for its enjoyment, but also lead to civil such as Suzhou, Hangzhou, antique jade