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本文根据课堂讲述的录音记录整理而成。作为大学教授的小说家马原讲课没有太多的旁征博引,似乎并不在意一些知识背景上泛泛而谈的东西,他讲述的电影课显然偏重于艺术分析,强调从感觉与经验出发,直接从作品中寻绎创作者的表达方式。应该说,这也是一种文本细读的路径。近年屡见学者、评论家倡言细读,精读的阅读风气,对于授课者和著述者来说,细抠起来便是文本诠释的功夫。然而,如果我们面对的是一部文学艺术作品,仅有知识性的诠释是不够的,或者说更重要的是直接面对作品的艺术感觉。本刊发表马原的电影课讲稿,意在介绍一种解读作品的精神活动,在这个普遍注重知识与学理的时代,但愿别让感觉与趣味的缺失成为心灵的缺损。
This article is organized according to the recordings recorded in the class. As a college professor Ma Yuan lectures do not have too many parables, does not seem to care about some of the general knowledge of the background and talk about the movie class, he is clearly biased in favor of art analysis, emphasizing the feeling and experience, directly from the work In search of the creator’s expression. It should be said that this is also a way of reading the text carefully. In recent years, many scholars and critics have repeatedly read and read extensively the reading style. For lecturers and writers, it is the effort to interpret the text. However, if we are confronted with a literary and art work, it is not enough to have a purely intellectual interpretation, or more importantly, directly face the artistic feeling of the work. This edition publishes Ma Yuan’s film lesson, intended to introduce a spiritual activity that interprets the work. In this era of general emphasis on knowledge and learning, let’s not let the lack of feeling and interest become the spiritual defect.