目前,我国国内漫画市场占主流的仍然是低龄化、学龄期的儿童漫画,或是快餐式消费漫画,适合成年读者的优秀漫画作品非常缺乏。中国动漫产业的商业运转尚处于发展初级阶段,未能形成自己的文化特色。其实早在上世纪四十年代,我国老一辈艺术家就用动漫将中国的声音传到了世界,如《铁扇公主》《三毛流浪记》《大闹天宫》等。改革开放之后,已经落后于世界的中国动漫不得不加紧脚步向商业转型,但是商业化大潮冲击加上不成熟的中国漫画市场,让优秀人才惨痛流失。近些年国家对文化产业大力扶持,国内各大漫画网站、杂志逐渐新兴,中国漫画又有回温现象。笔者总结这些优秀漫画的成功经验发现,中国本土题材的文化挖掘和现代化革新,其实有着深不可测的潜力,能帮助中国现代漫画走向更加宽广的艺术空间。文章就中国本土题材漫画创作的现代性走向及发展进行了探究。 At present, China’s domestic comic book market is still the mainstream of the younger age, school-age children’s comic, or fast-food consumer comic, suitable for adult readers outstanding comics are very scarce. The commercial operation of China’s animation industry is still in the initial stage of development, failing to form its own cultural characteristics. In fact, as early as the forties of the last century, the older generation of Chinese artists spread the Chinese voice to the world with anime, such as Princess Iron Fan, Sanmao Wandering, Havoc in Heaven and so on. After the reform and opening up, the Chinese animation industry that has lagged behind the world had to step up its pace of commercial transformation. However, the tidal wave of commercialization coupled with the immature Chinese comic book market left the elite talented. In recent years, the state has vigorously supported the cultural industry, and major cartoon websites and magazines in China have been gradually emerging. The author concludes with the successful experience of these excellent comic books that the cultural excavation and modernization of China’s indigenous themes have in fact untold potential to help modern Chinese comics move towards a broader artistic space. The article explores the trend and development of the modernity of Chinese local comic book creation.