戏曲剧目命题是剧作的一个组成部分,剧名拟得好,易于理解剧情,引人入胜。从宋、元杂剧至明、清传奇,以至近代京剧和地方戏曲,在这些传统剧目中,剧名命题常用手法之一,就是以剧本结构中所采取的主要情节行动线,即戏剧主要矛盾冲突的贯串动作,用一个动词简要地概括出题目。浙江绍剧《孙悟空三打白骨精》,这个剧名起得好。“三打”这个动词是全剧的贯串动作,戏是围绕“三打”展开的。唐僧等人赴西天取经,路上,千年尸魔白骨精想吃唐僧,使计三变来引诱。孙悟空火眼金睛,三次识破妖邪,三次痛打了白骨精。看!孙悟空一打送饭的村姑,二打假借来找村姑的老妪,三打冒充来找老妪的老翁。 Drama drama proposition is an integral part of the drama, the title is well planned, easy to understand the story, fascinating. From the Song and Yuan dynasties to the Ming and Qing dynasties and even the modern Beijing opera and local opera, among the traditional repertoires, one of the common tactics used in the proposition of the title is the main plot and action line adopted in the script structure, namely, Throughout the action, use a verb to briefly summarize the subject. Zhejiang Shaoxu drama “Sun Wukong Sanda Bone”, the name played well. The “three dozen” is a verb that runs the whole drama. The play is organized around the “three dozen.” Tang monk and others went to learn from the West, on the road, the Millennium corpse bones want to eat Tang monk, make three changes to lure. Sun Wukong eyes of fire eyes, three times to see the evil spirits, burglary of the bones three times. Look! Sun Wukong a dozen delivery village girls, two fake borrowings to find the old lady Murakami, three posing as a man looking for the old man.