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本文通过解读王小帅导演的创作理念,反映上世纪80年代封闭思想对人们的束缚,结合现代人的思想观念和独特视角,以观者的角度全新评析女主人青红内心深处的伤痛。这一形象的塑造体现了青红青春期被父母囚禁的无奈至极,更是反映了生活在80年代的孩子想要回归自由的内心世界。除此之外,也让我们更深一步地理解到父母想让孩子走出大山迈向大城市的良苦用心,这也许就是导演纵览当今社会、彰显自由青春的魅力所在。
By interpreting the creative concept of director Wang Xiaoshuai, reflecting on the shackles of the closed-minded people in the 1980s and combining with modern people’s ideas and unique perspectives, this essay analyzes the sorrow of the hostess in the hearts of the youth. The shaping of this image embodies the extremely helplessness of young adolescent parents imprisoned, but also reflects the inner world of children who want to return to freedom in the 1980s. In addition, let us further understand that parents want their children out of the mountains towards the big city’s painstaking care, perhaps this is the director of today’s society, highlighting the charm of free youth lies.