《温莎的风流妇人》是莎士比亚众多喜剧中非常有代表性的一部作品,具有一定的研究价值。文章从该剧作中的女性形象切入,以戏剧本体论为依托,从戏剧冲突和戏剧情境两个方面探析剧中女性形象的戏剧性塑造,然后剖析剧作中女性的精神内质,最后就其现实意义的探讨言及如何把西方剧作中的女性形象搬上东方的舞台,这对于改编西方剧作有一定启示。 Windsor’s Merry Woman is a very representative piece of many Shakespeare comedies and has certain research value. Based on the drama ontology, the article explores the dramatic shaping of female images from the perspective of drama ontology and drama situation, and then analyzes the spiritual essence of women in the play. Finally, The practical significance of how to put the female images in Western dramas onto the oriental stage has some enlightenment on the adaptation of western dramas.