论文部分内容阅读
在人类历史所有的阶段,总是以不同的旋律回荡着具象观念与抽象观念的争论。在具象艺术家看来,艺术创作应该真实地模仿自然的美,艺术是自然的延伸;而在抽象艺术家那里,自然是一回事,而作为人类创造物的艺术则是另外一回事。纵观美术史,无论是具象艺术还是抽象艺术,都是人类美术史上长久存在的艺术形式,是人类创造的精神财富。在大型艺术(历史画、全景画)创作中要把具象因素和抽象因素有机地结合起来,使两者更好地为大型艺术创作服务,并在创作实践中不断地创新。
At all stages of human history, the controversies of figurative and abstract ideas are always echoed in different melodies. In the view of figurative artists, art creation should truly imitate the beauty of nature. Art is a natural extension. In the case of abstract artists, nature is one and the art of human creation is another. Throughout the history of art, both the figurative art and the abstract art are the permanent art forms in the history of human art and the spiritual wealth created by mankind. In the creation of large-scale art (historical paintings, panoramic paintings), it is necessary to organically combine the concrete and abstract factors so that the two can better serve the large-scale artistic creation and innovate continuously in the creative practice.