谢赫的“六法”在中国画坛所占的重要地位是每位对中国画有所研究的人都尽知的,但对其含义的解读,则又是“仁者见仁,智者见智”。到现代,对“六法”的含义大致形成了约定俗成的认知。而本文仅就“传移模写”这一法进行论述,因为,我发现对其余五法的解读与各自本义之间的误差尚在情理之中,可是,对“传移模写”的解读,却可能从根本上偏离了谢赫的原义。 The important position occupied by Sheikh’s “Six Laws” in the Chinese painting society is that every person who has studied Chinese painting knows all about it. However, the interpretation of its meaning is that “the benevolent sees the benevolent, the wise see the wisdom” . To the modern, the meaning of “six methods ” roughly formed a common understanding. However, this article only discusses the method of “transfer writing and writing” because I find that the errors between the interpretation of the other five laws and their respective meanings are still reasonable. However, Interpretation, it may fundamentally deviate from the original meaning of Sheikh.