“去价值化”是我国艺术史研究方法的突出表现,其结果是直接导致我国艺术学研究价值立场的丧失。翻开现今众多艺术史著述、艺术史文章,“价值误区”是一个普遍特点。可以说,现阶段的艺术史研究,在艺术史研究方法上,不仅无法解析中国人自身的艺术存在方式,甚至无法找到自身文化的价值支点。这种现象的成因,是知识的挪移。我国当下的艺术史以及艺术史学是近代从西方引进的学科概念,尤其是德语世 “Devaluation ” is a prominent manifestation of the research methods of art history in our country. The result is a direct result of the loss of the value position of art research in our country. Open today many art history writings, art history articles, “value misunderstanding ” is a common feature. It can be said that at this stage of art history research, in the art history research methods, not only can not analyze the Chinese people’s own artistic existence, or even find its own cultural value fulcrum. The cause of this phenomenon is the shift of knowledge. The current art history and art historiography in our country are the concepts of the discipline introduced from the West in modern times. In particular,