“新实践美学”与“后实践美学”在一定程度上对传统美学思想有所改进和发展,但两者的争论表明他们仍然没有走出传统美学二元对立思维的误区。真正的实践美学思想,既是对旧实践美学的思维方式的批判,也是在多元共存思维的基础上,从实践本体论和存在论角度切入美学研究,强调实践的艺术化和生存的审美化。 To a certain extent, “New Practical Aesthetics” and “Post Practical Aesthetics” have improved and developed traditional aesthetic thoughts, but the controversy between the two shows that they still have not gone out of the misunderstanding of the dualistic opposition of traditional aesthetics. The real practical aesthetics thought is not only the critique of the thinking mode of the old practical aesthetics but also the aesthetics research based on the pluralistic co-existence thinking from the perspective of practical ontology and existentialism, emphasizing the artistic and living aesthetic of practice.