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汉代是印章艺术的鼎盛时期,汉印在金石史上可以与文学史上的唐诗、宋词、元曲等相媲美,是中国灿烂历史上最浓郁的一笔,在这些璀璨的汉代印章中,有一类被称作图形印,兼有绘画雕刻之美,是印章中别开生面的作品,且在方寸之间,以精巧的雕工,刻画出无数生动精美的画面,韵味无穷,令人赞叹。画像石作为整个汉代文化的象征,深刻而清晰的反映当时的社会,且与图形印是同一时代的产物,有着共同的社会背景、文化内涵、历史渊源,共同传递了汉代艺术之美。本文通过从雕刻技法、内容题材、艺术风格、功能属性、文化内涵五个方面对汉代图形印和画像石进行简单对比分析。
Han Dynasty is the heyday of seal art. Han and Indian can be comparable to those of Tang poems, Song poems and Yuan dynasties in literary history in the history of stone and stone. It is one of the richest in China’s splendid history. Among these shining Han dynasty seals, Known as graphic printing, both the beauty of painting and sculpture, is a unique work in the seal, and between the square inch, with exquisite carving, portrays countless vivid and exquisite picture, endless charm, amazing. As a symbol of the whole Han Dynasty culture, the portrait stone profoundly and clearly reflects the society at that time and is a product of the same era with the graphic printing. It has the common social background, cultural connotation and historical origin, and conveys the beauty of Han Dynasty art together. This article makes a simple comparative analysis of the graphic printing and the portrait stone of the Han Dynasty through five aspects of sculpture technique, content theme, artistic style, functional attributes and cultural connotation.