孔子:性相近,习相远。作家和画家对面坐着,他们是初次见面,都行注目礼。作家看画家和画家看作家,他们的第一眼是相似的。作家觉得他面前的这个人不像画家,他不接受那个鼻子,鼻梁骨还拱起一小块挺碍眼的骨头,鼻头尖尖的还向下指着,鹰勾鼻子。狡滑的鼻子。画家觉得他面前的这个人不像作家,他也不接受对方的鼻子,蒜头鼻子,有点儿笨拙,没文化的鼻子。不过这种感觉只是一瞬间,马上就都释然了。是这个画家。是这个作家。下边就不同了,作家和画家思维方式的分野就从这儿开始。作家抓住画家脸上的线条感觉,企图借助他们,走向画家的内心。画家也抓住作家脸上的线条感觉,但他力求把握它,让作家的内心从这些线条感觉上呈现出来。这就是许谋清和靳尚谊会面时双方的感觉,而这次会面是由我给安排的。我无意给读者虚构一次绘声绘色的会面,我只力图达到它的平凡。事情已经滑过去有两年之久,我从许谋清的文字稿上找到一段确切的实录—— Confucius: similar in nature, Xi Xiangyuan. Writers and painters sitting opposite, they are the first time to meet, all pay attention ceremony. Writers see painters and painters as writers, who are similar at first glance. The writer felt that the man in front of him was not like an artist. He did not accept the nose. His nosebone also arched a small, hard-hitting bones. The tip of the nose pointed down, and the eagle hooked his nose. Slick nose. The painter felt that the person in front of him was not like a writer. He did not accept each other’s nose, garlic nose, a bit awkward, uncultured nose. However, this feeling is only a moment, immediately relieved. This painter. This writer. The following is different, and the distinction between the way of thinking of writers and painters starts from here. The writer grasps the lines on the painter’s face in an attempt to use them to move towards the painter’s heart. The artist also grasps the feeling of lines on the writer’s face, but he tries hard to grasp it so that the writer’s heart can be felt from these lines. This is the feeling both Xu Mouqing and Jin Shangyi met when the meeting was arranged by me. I do not mean to give the reader a fantastical meeting, I only try to achieve its triviality. Things have been slippery for two years, I find the text from Xu Xuqing accurate record -