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2014年是我幸运的一年,丰收的一年,不仅连续五次入展全国书法篆刻展,更获得了中国书法最高奖—兰亭奖的佳作奖。入展兰亭并非说明已有很高的水平,未入展也并不能说明水平就差。但客观地说,这应是偶然中的必然,必然中的偶然。既然是比赛那就有它的规律和规则。有规律我们就要去发掘,有规则我们就要去遵守,只有这样参加书法展时我们才更有把握。下面,我就结合本人这次兰亭奖的作品,谈谈投稿的一些感受和想法。我一直认为,投国展特别是规格较高的国展是一个综合性的“工程”。不仅是字写得好就完了,它还要求作品的形式、安排、大小等等都要新颖、合理、合规。
2014 is my lucky year, a year of good harvest, not only for five consecutive national calligraphy and seal cutting exhibition, but also won the highest award of Chinese calligraphy - Lanting Award for best masterpiece award. Lan Ting exhibition does not mean that there is already a very high level, did not show progress does not mean that the level of the poor. But objectively speaking, this should be accidental necessity, necessity of accidental. Since it is a game that has its rules and rules. We have to go regularly to discover, there are rules we have to comply, only in this way when we participate in the calligraphy show more certainty. Below, I will combine my works of this Lanting Award, talk about some of the feelings and ideas submitted. I always think that it is a comprehensive “project ” to invest in the international exhibition, especially the higher-standard national exhibition. Not only is the word finished, it also requires that the form, arrangement, size, etc. of the work be novel, reasonable and compliant.