严格地讲,家父方济众绘画艺术成熟得并不很早,真正意义上的起步还应从响应“长安画派”的旗手石鲁先生所倡导的“一手伸向传统,一手伸向生活”算起。不管画派群体文化背景与个人现状如何,总体上他们都离不开“五四”新文化运动所留下的反传统倾向。后来这种倾向又被新中国成立后的社会主义建设主旋律所取代。可以说是时代向他们索讨新的表达方式,是时代要求他们必需对传统有一个新的说法。“一手伸向传统,一手伸向生活”的艺术主张,是立定 Strictly speaking, the art of drawing paintings by his father, Fang Jizhong, does not mature very early. In the real sense, the starting point should also start from “one hand to the tradition and one hand to life” advocated by the flag bearer Mr. Shi Lu in response to the “Chang’an School of Painting” Start. Regardless of the cultural background and individual status quo of the group, they are inseparable from the anti-traditional tendency left by the May Fourth New Culture Movement. This tendency was later replaced by the theme of socialist construction after the founding of new China. It can be said that the times are asking them for new ways of expression. It is because the times require them to have a new view of tradition. The artistic proposition of “one hand to the tradition and one hand to life” is established