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动漫创作大致分两个阶段:一是原创(剧本)阶段,二是制作阶段。剧本是一剧之本,是根基、是基础。剧本创作的过程大致分三个阶段,即选材、构思、文字表达。创作的过程就是作品形成的过程。由于动漫的受众大多是少年儿童,在“写什么”和“怎样写”的问题上必须考虑到受众的接受心理。本文着重研究动漫创作与接受心理的内在联系:选材与审美倾向、构思与意境创造、表达与动感融合等,涉及到主观动意与客观反馈的问题。
Animation creation roughly divided into two stages: one is the original (script) stage, the second is the production stage. Script is a play of this is the foundation, is the foundation. The process of script writing roughly divided into three stages, namely, selection, design, text expression. The process of creation is the formation of the work process. Since most cartoon children are children and adolescents, the acceptability of the audience must be taken into account on the issues of “writing” and “how to write.” This paper focuses on the internal relationship between animation creation and reception psychology: the material selection and aesthetic tendency, the creation of concept and artistic conception, the fusion of expression and movement involve the subjective and objective feedback.