在中国文化史上.丈人名士的高会雅集往往正是诗画创作的良好机缘。从汉魏以降到民国时期。文人雅集的活动代不绝踪,由此而产生的一系列《文人雅集图》也成了中国绘画史上极为清新动人的一大景观。这些文人雅集图,或是对当时聚会现场的纪实留念.或是对以往故实所作的想象之见.或是对文人生活理想的幢憬虚构。其描绘的目的、功能、作用不一而足.却是中国人物画史上一股不可忽视的支流.是最能深入中国文人意识形态、最能代表文人理想生活典范的一种绘画图式。本文以历史为序.试图对文人雅集题材的绘画做一次全面的梳理与回顾.希望能飨以读者。 In the history of Chinese culture, Gao Zijia, a famous man and woman, often has a good chance of creating poetry and painting. From Han to Wei period. The series of “literati Yajiu” produced by the literati’s elegant collection have never ceased to exist. As a result, they have become a very fresh and moving landscape in the history of Chinese painting. These literary anecdotes, or memorabilia of the scene of the gathering at that time, or the imagination of the past and the reality, or the fantastical vision of the literati’s ideal of life. Its purpose, function and function are different, but it is a tributary that can not be neglected in the history of Chinese figure painting, and it is the most drawing style that can best penetrate the ideology of Chinese literati and can best represent the ideal life ideal of the literati. This article takes the history as the foreword, tries to make a comprehensive review and review of the painting of the literati’s elegant subjects.