《窦娥冤》、《赵氏孤儿》和《汉宫秋》、《梧桐雨》号称元人四大悲剧,无论就内容的深刻或艺术的精湛说,都可以称为我国戏曲史上的丰碑大(?),历来被人们所赞誉。关于这四部悲剧,王国维有过权威性的论述,他在《宋元戏曲考》中说:“明以后,传奇无非喜剧,而元则有悲剧在其中。就基存者言之,如《汉宫秋》、《梧桐雨》、《西蜀梦》、《火烧介子推》、《张千替杀妻》等, “Dou E Yuan,” “Orphan of Zhao” and “Han Gong Qiu”, “Indus rain” known as the four tragedies of the Yuan Dynasty, both in terms of profound content or artistic superb, can be called the monumental monument in the history of Chinese opera (?), Has always been praised by people. With regard to these four tragedies, Wang Guowei has argued that in the Song and Yuan Dynasties, he said: “After the Ming Dynasty, the legend is nothing more than a comedy, while the Yuan has tragedies in it. Han Gong Qiu ”,“ Indus Rain ”,“ Xishu Dream ”,“ Fire messenger push ”,“ Zhang thousand for his wife ”and so on,