论文部分内容阅读
连续看了四部影片:《超国界行动》、《朱德与史沫特莱》、《东陵大盗》、《平津夺宝》。记下一点印象。 明显看出,《超》的舶来色彩很重。尤受日本侦破惊险片的影响,在一些细节的设计、气氛的制作上。主调,如男主人公邝野与女主人公“恋爱”及其情节发展,最后狠狠地将子弹倾射向杀手。这是从外国侦破惊险片中舶来。其幼稚、不成熟显而易见。片尾对暗害刑警的那个神秘老头缺乏交待。观众不明白,这
He watched four films in succession: “Operation Across Borders,” “Zhu De and Smedley,” “The Dongling Bandit,” and “Pingjin.” Make a note. Obviously seen, “super” is a very heavy color. Particularly affected by the Japanese detection thriller, in some details of the design, production atmosphere. The main theme, such as male hero Kwong Yeon and the heroine “love” and plot development, finally mercilessly bullets fired killer. This is from a foreign adventure thriller come. Its naive, immature obvious. The tail of the mysterious old man stained Interpol lacked accountability. The audience do not understand this