论文部分内容阅读
跨界民族作为因传统居住地被现代政治疆界分割而居住于毗邻国家的民族,其音乐有其复杂而多样现象,承载着族群文化与风格特质。文章基于跨界民族音乐整体研究视野,以跨界实地调研为本,试图对现代跨境文化通道中的音乐宏观叙事、跨界民族音乐的对话共通,以及跨界音乐民族志的多样表述等系统化关照,勾勒跨界民族音乐研究中的有序互镜,探索后现代视域下跨界民族音乐研究中的文化内涵和理论构建。
As a nation living in neighboring countries because its traditional residence is divided by modern political boundaries due to its traditional residence, its music has its own complex and diverse phenomena, which bear the characteristics of ethnic culture and style. Based on the overall research field of cross-border national music, based on cross-border field research, the article attempts to analyze the macro-narrative of cross-border music, the common dialogue of cross-border national music and the multiple expressions of cross-border music ethnography And clarify the orderly mutual mirror in the study of cross-border ethnic music and explore the cultural connotation and theoretical construction in the study of cross-border national music in the post-modern era.