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中国古代绘画艺术发展到明代,无论技法还是理论,都得到了极大的丰富,并对清代书画产生了深刻影响。而晚明画坛“松亭派”书画家董其昌便是最具代表性的人物。董其昌(1555-1636年),字玄宰,号思白、香光居士,谥文敏,华亭(今上海市松江区)人,明代书画家、书画鉴赏家兼书画理论家。明万历十六年(1588年)进士,官至礼部尚书,加太子太保。董其昌善画山水,师法董源、巨然和黄公望等,其画风笔意安
The development of ancient Chinese painting art to the Ming Dynasty, regardless of technique or theory, have been greatly enriched, and the painting and calligraphy in the Qing Dynasty had a profound impact. The late Ming painting “Song Ting school” painter Dong Qichang is the most representative figure. Dong Qichang (1555-1636), the word Xuanzai, No. Si Bai, Xiangguang lay, Wei Wenmin, Huating (now Songjiang District, Shanghai) people, the Ming Dynasty calligraphers, painting and calligraphy connoisseurs and calligraphers. Ming Wanli sixteen years (1588) Jinshi, officials to the ceremony Book, plus the Crown too. Dong Qichang good painting landscapes, teacher Fa Dong Yuan, Ju Ran and Huang Gongwang, etc., the style of his pen