据说,印第安人有三道茶,第一道苦若人生,第二道甜如爱情,第三道淡如微风。其实,每一道茶都是人生的一处风景。 这人生的风景,反映到文学创作上,就形成了文学作品的三种格调,自六十年代迄今的台湾当代文学,就是回旋着“自我、情缘、闲淡”这三大主旋律的奏鸣曲。 台湾文学在中国当代文学中处于一个特殊的地位。台湾文学在循着文学自身规律系统发展和内在完善的进程方面,有其独特之处,其创作风格和理论导向,值得大陆文坛予以注视和研究。 It is said that Indians have three tea, the first bitter life, the second sweet as love, the third light as a breeze. In fact, every tea is a landscape of life. The landscape of this life is reflected in literary creation, forming three styles of literary works. Since the 1960s, contemporary literature in Taiwan has been the sonata of the three main themes of “self, love and idleness.” Taiwanese literature is in a special position in Chinese contemporary literature. Taiwanese literature has its uniqueness in terms of the systematic development and inherent improvement of the law of literature itself. Its style of writing and theoretical guidance are worthy of attention and study by the mainland literary world.