芭蕾舞是一门外来艺术,主要是1954年北京舞蹈学校成立之后经前苏联专家传入的。从此芭蕾舞在我国生根、开花、结果,当前具有中国风格的芭蕾表演体系已经基本形成,教学训练方面也有中国自己的特色,在去年召开的我院芭蕾高等教育研讨会上,中央歌剧舞剧院芭蕾舞团赵如衡团长曾谈到“国外很多人都喜欢看中国的芭蕾,因为它带有浓郁的中国特色”(摘自《舞苑信息》第三期)。但是教材建设方面,则相对显得滞后,特别是近三十多年来进展缓漫,对于芭蕾教学与表演的继续提高都存在重大影响,本文打算就此谈一点个人看法。 Ballet is a foreign art, mainly imported by former Soviet experts after the establishment of Beijing Dance School in 1954. Since then, the ballet has taken root and bloomed in our country. As a result, the ballet performance system with Chinese style has basically taken shape. There are also China’s own characteristics in teaching and training. At the Ballet Higher Education Seminar in our hospital held last year, the Central Opera and Ballet Theater Zhao Ruheng, head of the delegation, once remarked that “many people abroad like to watch Chinese ballet because of its rich Chinese characteristics.” (From the third phase of the “Dance Court Information”). However, the construction of teaching materials lags behind relatively. In particular, the progress in the past 30 years has been slow and has a significant impact on the continuous improvement of ballet teaching and performance. This article intends to talk about personal opinions.