学画以来,我一直喜欢在户外画风景。相对于参展的正式作品,这些小风景更能传达出我的内心情感,我也许更钟爱它们。它们是我的手记,记录着往日片刻的独语和对美好事物的感受。一日翻看着箧中那些不大的纸片,掉下一朵素白的干花,这大概是写生时顺手摘下的吧。在生活中,春天里绽放的一树桃花,秋日随风摇动的垂柳,几间老屋,一段半圮的围墙,这些平淡的东西往往令我感动。如果说,今天仍能从事我所喜爱的艺术,在很大程度上是得益于这些小风景。 Since I learned painting, I have always enjoyed outdoor scenery. Relative to the formal works of exhibition, these small landscapes can convey my inner feelings more and I may prefer them more. They are my notes, a record of the past, a single language and the feeling of good things. One day looking at the small piece of paper in the 箧, falling a plain white dried flowers, this is probably a sketchy hand off it. In my life, the peach blossoms in the spring, the weeping willows shaking in the autumn, the old houses and the half-moon walls often make me feel touched. If you say that today I still can engage in my favorite art, largely thanks to these small landscapes.