回顾广东粤剧唱腔音乐改革的历程,总结粤剧唱腔音乐发展过程中的经验教训,联系当前粤剧唱腔音乐的现状,不难发现:粤剧音乐改革已出现不少“死结”。其表现在: 一、改革手段着重“程式化”,固步自封。二、传统规律不屑一顾,谋求“出新招”,东拼西凑。 Recalling the course of Guangdong Cantonese opera aria music reform, summarizing the experience and lessons in the development of Cantonese opera aria music, and contacting the current situation of Cantonese opera singing music, it is easy to find out that many “death knots” have appeared in the reform of Cantonese opera music. Its manifestations are as follows: First, reform methods focus on “stylization” and stand still. Second, the traditional laws dismissive, seeking “a new move”, patchwork.