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鲁迅的“自我小说”是指那些具有浓厚“自我意识”的短篇小说,这些小说的聚焦模式基本上是固定的,主要分为外聚焦型和内聚焦型两类。但运用热奈特的叙事理论对《呐喊》和《彷徨》中的“自我小说”进行比较分析可以看出,鲁迅“自我小说”的叙事模式并非恒定不变的,根据呈现主题的需要、表现手法的不同和题材处理方式的改变而发生了变化。主要表现在不同聚焦模式之间的转化,同种聚焦模式之间人称和焦点人物之间的变化以及插入聚焦和多层次聚焦上。
Lu Xun’s “self-novel” refers to those short stories with a strong “self-awareness ”, the focus of these novels is basically fixed, mainly divided into external and internal focus type. However, the comparison and analysis of “self-novel ” in The Shout and Imitation ’s using the theory of Reynold ’ s narrative can see that the narrative mode of Lu Xun “self - novel ” is not constant, The needs of the performance of different ways and theme changes in the way things have changed. Mainly in the conversion between different focus modes, between the same focus mode and the focus between the person and the changes in the focus and multi-level focus on the insert.