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本文运用空符号学及艺术美学的研究方法对米罗作品《哈里昆的狂欢》中空符号的美学价值进行了研究,从象外之意这个层次进行论述,揭示了空符号在油画创作理念所体现的别具一格的审美情趣和艺术美学价值。另外,通过对空符号在视觉意象与独特视觉语言相融合的意境体会,提高了对空符不占位置,但它又客观存在、闯人观众眼帘的客观实在性的认识。
This article uses the methods of empty semiotics and art aesthetics to study the aesthetic value of the hollow symbol in the revelry of Harihun by Miro and to discuss the meaning of the empty symbol in the oil painting concept The unique aesthetic taste and artistic aesthetic value. In addition, through the combination of visual symbols and unique visual language, the empty symbol enhances the understanding of the objective reality of the empty character, but it objectively exists and breaks the audience’s eyes.