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《闷与狂》不仅是王蒙耄耋之年的长篇小说,同时也是继《王蒙自传》三部曲之后的另一部“王蒙自传”。它颠覆了自传写作的常规,显示出一定的异质性,是王蒙跨文体写作的蓝本。《闷与狂》在语言的狂欢中洋溢着乐观主义的精神。印象式书写展示了王蒙丰富的内心世界。散文化、诗化的形式也是对自传写作传统的挑战。
“Nausea and Madness” is not only a novels of the Mongolian and Mongolian years, but also another “Wang Meng’s autobiography” after the trilogy of “Wang Meng’s Biographies”. It subverts the routine of autobiographical writing and shows some heterogeneity, which is the blueprint of Wang Meng’s cross-cultural writing. “Boring and mad” in the language of the carnival filled with optimism. Impression writing shows Wang Meng rich inner world. Prose and poetic forms are also challenges to the tradition of autobiographical writing.