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西方符号学家认为艺术的创造是审美体验和审美经验的物化与符号化的过程。鲍列夫所谓:“在艺术中,符号是思想的具体感性基础的袒露。”~([1])艺术可谓艺术家思想的载体,即艺术家通过一定的表现内容而最终所体现的是其对客观自然以及对艺术表现规律的认识和思考。一般而言,艺术思想的深度决定着作品的艺术高度,并维系着所呈现的艺术个性的强弱。因此,对绘画而论,其绝非技术层面的炫奇而更在艺术的精神容量,
Western semioticians believe that the creation of art is the process of materialization and symbolization of aesthetic experience and aesthetic experience. In the art, the symbol is the bare foundation of the concrete perceptual basis of thought. "~ ([1]) Art can be described as the carrier of artist’s thought, that is, the artist finally reflects through certain performance contents Understanding and Thinking of Objective Nature and the Law of Artistic Expression. In general, the depth of artistic thought determines the artistic height of the work and maintains the strength and weakness of the presented individuality of the arts. Therefore, in terms of painting, it is by no means a hypo-lite but rather an artistic spiritual capacity,