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戏曲,从它开始诞生之日起,便是根植于大地,根植于在大地上辛勤劳作的人民的。当农民扛着锄头,走在田梗上,边抹着脑门上的汗水边任意吼着山歌时,这山歌便是戏曲原始的音符了,它是那样的简单质朴,又是那样滚烫灼热,灼热质朴的似乎让你感到那吵哑的喉咙里吐出的不是音符,而是一股股的黄土;唱出的也不是一个个的字句,而是一个个发热的灵魂。自古以来,直至今日,土地孕育了人民,人民孕育着戏曲,戏曲离不开人民,离不开土地。评剧,这个在河北农村中土生土长的戏曲剧种,其通俗易懂、明快流畅的演唱风格,很为农民喜闻乐见。如果你来到河北的一些郊县,那里的大爷大娘、大叔大婶,人人都能哼上几句评戏。就连在田野里欢跑的小丫.头也会随口唱出:“巧儿我自幼许配赵家。”
The opera, from the very beginning of its birth, is rooted in the earth and rooted in the people who work hard on the earth. When the peasant carrying a hoe, walking in the field terraces, while wiping the sweat on his forehead any roar of folk songs, this opera is the original musical notes, it is so simple and simple, but also so hot hot, hot Rustic seems to make you feel that noisy throat spit out is not a note, but a unit of loess; singing is not a word, but a fever of the soul. Since ancient times, until now, the land has given birth to people and the people have nurtured the opera. The opera can not be separated from the people without the land. Pingju, a native of Hebei rural opera drama, its easy-to-understand, crisp and smooth singing style, it is for the farmers love to see. If you come to some of the suburbs in Hebei, where the aunt, uncle, aunt, everyone can hum a few commentary. Even in the field Huanhuan Xiaoya head will sing casually: "Koji I was young with Zhao.