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回顾我国50多年来二胡艺术视野的发展路向,笔者认为,坚持和推动这一事业并同步发展最具代表性的人物就是闵惠芬。闵惠芬的二胡艺术道路是一条自始至终坚持了中国民族音乐特色,又展现了新鲜面貌的创新之路。50年来,她孜孜不倦地深入民间、贴近群众和秉承以本为源、以变为流的艺术实践,充分地显示和代表了广大二胡艺术工作者50年来积极热情的探索精神,以及坚持以民族音乐为基础的创新主流。同时,她那具有开拓的巨大艺术成就,对我国二胡艺术事业的进一步发展,也产生了前瞻性的指导意义。
Recalling the development direction of erhu artistic vision in our country over the past 50 years, the author believes that it is Min Huifen that the most representative person to adhere to and promote this undertaking and develop simultaneously. Min Huifen’s erhu art road is an innovative way of sticking to the characteristics of Chinese folk music from beginning to end. Over the past 50 years, she tirelessly went deep into the community, approached the masses and upheld the practice of turning this source into a reality, fully demonstrating and representing the passionate exploration spirit of the vast number of erhu artists over the past 50 years and adhering to the principle of using national music Based on the mainstream of innovation. At the same time, her vast and pioneering artistic achievements have also had a forward-looking guiding significance for the further development of the erhu art in our country.