电影观念的更新与观众的要求——《逆光》导演创作有感

来源 :电影通讯 | 被引量 : 0次 | 上传用户:seaflower0000
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
人们常常把一种电影手法的更新,归结到导,摄,美等创作人员的灵感所至。把一种新的电影观念的出现,说成是电影理论家的提炼、总结。可人们却很少把这些归结为广大电影观众的一种需求。我觉得创造一种新的电影观念,这是广大电影观众迫使电影艺术家们不得不去寻找的出路。电影是一种最为大众化的艺术形式。它的艺术价值是在放映过程中,作用于观众的感觉和由此引起的反映同时产生。电影是电影创作者们与广大电影观众共同完成创作的艺术。所以,一个新的电影观念的形成,既有创作者的作用,也有观众的 People often update the cinematic approach of a movie to the inspiration of the creative staff such as directors, photographers and the United States. The appearance of a new kind of movie concept is described as the refinement and conclusion of film theorists. Few people attributed this to a demand from the majority of moviegoers. I think creating a new movie idea is the way out for the majority of moviegoers to force movie artists to look for. Film is one of the most popular forms of art. Its artistic value is generated in the screening process by the perception of the audience and the resulting reflections. Cinema is the art of film creators working together with the majority of moviegoers. Therefore, the formation of a new movie concept, both the role of creators, but also the audience
其他文献