清代以来,尤其是进入近代,随着政治、经济地位的显著上升,天津不仅成为了北方重要的古代书画消费、交易市场和中转地,也培养、聚集了一批著名的书画鉴藏家,有代表性的包括安岐、励宗万、汪士元、韩慎先、罗振玉、徐世昌、徐世章、李葆恂、张翼、张叔诚、周叔弢、言敦源、赵兰亭、靳伯声、李国松、任振庭等。吴湖帆作为一代书画鉴藏大家,在上海长期活动的同时,也不忘聚焦天津。吴湖帆的书画鉴藏和天津会有着哪些关联、互动、交集,笔者以《吴湖帆文稿》中的相关材料为主, Since the Qing Dynasty, especially into the modern era, with the significant rise in political and economic status, Tianjin has not only become an important consumer and trading market and transit center for painting and calligraphy in the north, but also cultivate and gather a number of well-known collectors of calligraphy and paintings, Representatives include An Qi, Lai Zongwan, Wang Shiyuan, Han Shenxian, Luo Zhenyu, Xu Shichang, Xu Shizhang, Li Baoqi, Zhang Yi, Zhang Shoucheng, Zhou Shutao, Yan Dunyuan, Zhao Lanting, Jin Boyheng, Li Guosong, Ren Zhengting and others. Wu Hufan as a generation of calligraphy and painting Kam Tibet, long-term activities in Shanghai at the same time, do not forget to focus on Tianjin. Wu Hufan painting and calligraphy collection and Tianjin will have what relevance, interaction, intersection, the author of “Wu Hufan manuscript,” the relevant materials,