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明代的民歌创作极为繁荣,明代文人对民歌盛况的描摹常见于野史笔记和戏曲论著中。陆容《菽园杂记》、叶盛《水东日记》、李开先《词谑>、王骥德《曲律》等多有记载。 “吴人耕作或舟行之劳苦,多作讴歌以自遣,皆名山歌,其中亦有可为警劝者。” “北人尚余天巧,今所流传打枣竿诸小曲,有妙入神品者。南人苦学之,决不能入。盖北之打枣竿,与吴人之山歌,不必文士,皆北里之侠,或闺阃之秀,以无意得之。犹诗中郑卫诸风,修大雅者反不能作也。” “歌谣词曲,自古有之,惟吾松近年特甚。凡朋辈谐谑,及府县士夫举措,稍有乖张,即缀成歌谣之类,传播人口。而七字件尤多,至欺诳人处,必曰风云。而里中恶少燕闲,必群唱银绞丝、干荷叶、打枣竿,竟不知此风从何而起也。”
The Ming Dynasty folk song creation is extremely prosperous, Ming literati description of the grand occasion of folk song common in the history notes and opera works. Lu Rong “Garden Park miscellany” Ye Sheng “Shuidong Diary”, Li Kaixian “banter”, Wang Ji “music” and many more records. “Wu man farming or boat labor, and more for the Acura to self-eviction, are famous folk songs, of which there may be police persuasion.” The South people hard study, must not enter .Gay North hit jujube pole, and Wu folk songs, without scholar, are in the North of the man, or the show of boudoir, with no intention of. , Repair the elegant who can not be anti-too. “” Song lyrics, since ancient times, but I loose in recent years especially .Any peer banter, and Fuchu County Scholar initiatives, a little perverse, that is, as a ballad song, spread the population And the seven characters are more, to bully people at the office, will be called the situation.While the less evil leisure, will sing a group of silver twisted wire, dry lotus leaf, hit the date pole, actually did not know where the wind from. "