反复表演是一种不容忽视的艺术手法。它有时是舞台表演所必要,因之是宝;但有时,却是使人厌烦的蛇足之作,因成为草。究竟是宝、是草,需取决于表演者对它的两重性的认识以及具体运用如何。演员表演唱、念、做、打,需要遵循一定程式,因而在同一个角色身上也难免接二连三会出现这种反复表演,大到一段情节,小至一个动作,均可无所不在。有些演员认识全面就运用得当;有些演员只是依样画葫芦,始终一个模式,所以舞台上有了变化反复与机械重复之别,细致与粗糙之分,也正是识别宝与草的重要着眼处。按照剧情发展,特意安排某种前后有呼应、相同 Performing repeatedly is an art technique that can not be ignored. It is sometimes necessary for theatrical performances, and so is treasure; but sometimes it is a bizarre snake-footer made of grass. Whether it is treasure or not, grass depends on the performer’s understanding of its duality and how it is used. Performers sing, read, do, fight, need to follow a certain program, so in the same role who are inevitably one after another will appear this repeated performances, ranging from a plot, as small as an action, can be omnipresent. Some actors fully understand the use of properly; some actors just follow suit, always a model, so there are changes in the stage repeatedly and mechanical repetition of the other, meticulous and rough points, it is also an important point to identify Po and grass . In accordance with the plot development, specially arranged before and after a response, the same