有清一代,世风遽变,京师伶人成为文人声色娱乐活动的主要承担者。士伶交往既密,士风骎染梨园,伶人兼习书画蔚然成风。尽管社会地位卑微,但部分伶人勤勉向学,内心始终以文士自拟。他们通过书画创作传递自身文人的气质与风骨,又藉由拜名士学画以及与文人之间的书画酬酢等多种形式,开拓出了一个伶人暂居本位的文化社交空间,进而完成了其文士身份的自我表征与定位。 There is a generation, the world changed, the Beijing opera actor became the main undertaker of the literati sensual entertainment. Scholar exchanges both close, scholarly stained Pear Garden, actor and painting habits become a common practice. Despite humble social status, some of them are diligent in their studies and are always self-educated in their hearts. Through their paintings and calligraphies, they passed on the temperament and style of their own literati, and through various forms such as painting by patriarchal clansmen and calligraphers and artists, they opened up a cultural and social space in which the actors lived temporarily and completed their scribes Self-identification and orientation of identity.