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超文体,是指在诗歌的写作中打破传统的文体界限,把传统上认为是小说、散文或戏剧的手法运用到诗歌中,造成诗歌的文体模糊的现象。超文体从根本上讲,是对传统的文体惯例的反叛,是对文学体裁的现有模式的再认识。其中突破最大的是第三代诗人。超文体现象背后隐藏的是一种激进主义的反叛精神。它所呈现出来的文化价值系统上的反理性、反本质、反中心和诗歌上反庸俗的社会功能论和对诗歌的形式的关注的特征,与西方的后现代主义文化有着不可分割的关联。
Hypertextuality refers to the phenomenon of breaking the traditional stylistic boundaries in the writing of poetry and applying the techniques traditionally thought of as fiction, prose or drama to poetry, causing the style of poetry to be vague. Fundamentally, it is a rebellion against traditional stylistic conventions and a re-understanding of the existing mode of literary genre. One of the biggest breakthrough is the third generation of poets. Hidden behind the phenomenon of super-style is a radical rebellious spirit. The anti-vulgar social function theory and the attention paid to the forms of poetry in anti-vulgarity, anti-essence, anti-center and poetry on the system of cultural value presented by it are inextricably linked with Western post-modernism culture.