民族文化精神的载体 群体生命意识的体现——蒙古族舞蹈编导家巴达玛及作品风格特征分析

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巴达玛从上个世纪50年代创作的第一个舞蹈《挤奶姑娘》,到本世纪初去逝前修改完成的最后一个舞蹈《生命随想》(与莫·道尔吉合作),在梦想和追求的沃土上,默默耕耘了四十余载。留下了一批贴近生活、贴近百姓、贴进时代,具有浓郁民族风格和艺术特色、深受广大农牧民喜爱的作品。她的许多作品除获得国家、省部级大奖外,还被赤峰市民族歌舞团和内蒙古歌舞团带到加拿大、俄罗斯、罗马尼亚、保加利亚、匈牙利等国家,为内蒙古争得诸多荣誉。 Badama from the first dance “milking girl” created in the 1950s to the last dance “Simaxe” (cooperated with Mo Dorgay) which was completed before the turn of the century by the beginning of this century, And the pursuit of fertile soil, silently worked for more than 40 years. Left a group of close to life, close to the people, into the era, with strong ethnic style and artistic characteristics, loved by the majority of farmers and herdsmen’s work. In addition to winning the national and provincial awards, many of her works have also been brought to Canada, Russia, Romania, Bulgaria and Hungary by the Chorus Song and Dance Troupe of Chifeng City and many other honors for Inner Mongolia.
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