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大致与中国戏曲的其他一些剧种境况相一致,在川剧舞台显得越发沉寂的时候,魏明伦与南国合作,于20世纪80年代初改编自张弦小说《被爱情遗忘的角落》的现代川剧《岁岁重阳》,经过魏明伦本人的再一次改编创作,在2013年三八国际妇女节这一天,被成都市川剧艺术研究院推上舞台。一魏明伦奉行独立思考、独家发现、独特表述,他在答记者时说过:“开句玩笑,我是‘三反分子’!反思历史,反抗封建,反对专制。还有关注现实,关心民众,关怀妇女。直揭‘文革’,直捣腐败,直言时弊。”①在《岁岁重阳》的创作中,他以非凡的勇气撞向了批判“文革”专制极权的巨钟,这种
Roughly in line with the situation of some other operas in Chinese operas. When the stage of Sichuan Opera became more and more silent, Wei Minglun cooperated with the Southland in the early 1980s to adapt the modern Sichuan opera aged from the novel “Forgotten Corner of Love” Chongyang “, after Wei Minglun himself once again adapted to the creation, in 2013 March 8 International Women’s Day, Chengdu Sichuan Opera Academy of Art was put on the stage. Wei Minglun pursued independent thinking, exclusive discovery and unique expression. When answering a reporter’s speech, he said: ”Just a joke, I am a ’three anti-elements.’ I reflect on history, oppose feudalism and oppose autocracy. In the creation of “Chongyang Chongyang,” he clung to the giant bell criticizing the authoritarian totalitarianism of “Cultural Revolution” with his extraordinary courage, This