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我国盆景艺术具有悠久的历史。在“先行地方风格”的熏陶下,盆景事业发展很快,许多边远地区盆景爱好者日益增多,作品逐渐情美,山水盆景从古老的南方发展到北方以至“关东”大地,树桩盆景“五大流派”不断发扬光大的同时,盆景艺术新风格频频展现,打破了墨守陈规,固步自封的框框,涌现出敢于创新的一代新人。但是,在山石盆景上究竟有没有形成定义性的流派和风格?这是盆景界一个热门话题。对山石盆景曾有人认为可以分为南、北两派。如观赏一盆山石盆景,清秀的
Bonsai art in our country has a long history. In the “pioneering style” under the influence of the rapid development of bonsai, bonsai in many remote areas growing number of fans, works gradually love the United States, landscape bonsai from the ancient South to the north and the “Kanto ” earth, the stump Bonsai “five genres ” continue to flourish, the new style of bonsai art frequently show, breaking the stereotyped, self-styled box, emerged a new generation dared to innovate. However, in the mountain bonsai what is not a defining genre and style? This is a hot topic in bonsai. Some people think that the mountain bonsai can be divided into South and North factions. Such as watching a potted stone bonsai, handsome