影视美学这一概念的提出,无疑是上个世纪后期美学研究领域的一件大事。它表明门类美学家族中又增加了一个重要的成员,而且由于影视艺术有着最尖端的高科技和新技术的密切支持,因而使得影视美学的研究也就具有着强大的学术活力。但是,作为完善的成体系的影视美学理论的科学建构,应该说至今也还远远没有最后完成。而金丹元的《影视美学导论》一书,于新世纪之初被推出,也的确可以说在新世纪开始的时候,又把影视美学的研究推上了一个新的台阶。从根本上来说,影视美学的提出之始,就天然地 The proposition of the concept of film and television aesthetics is undoubtedly a major event in the field of aesthetics in the latter part of the last century. It shows that there is an important member added to the category of aesthetics, and because of the close support of the most advanced high-tech and new technologies in film and television arts, the study of film and television aesthetics also has a strong academic vitality. However, as a sound scientific system of movie and TV aesthetics, it should be said that it has not been completed yet. The introduction of the Introduction to Aesthetics of Film and Television by Xindan Yuan was launched at the beginning of the new century. It can indeed be said that at the beginning of the new century, the study of film and television aesthetics has been pushed to a new level. Fundamentally speaking, the beginning of the aesthetics of film and television, naturally