早在1935年的12月,一名12岁少年登上列宁格勒爱乐协会大音乐厅的舞台,出色地演奏了柴可夫斯基的《罗科科》。随着年龄的增长,神童成为熟练的演奏员,但时常与逝去的时光一同消失的乐感新意在他的演奏中仍毫不逊色。每次出席达尼尔·包里索维奇·沙弗兰的大提琴音乐会,人们总会因有意外的新感触而赞叹。消极怠惰、“老一套”与他无缘,创作青春长驻。与之相比,不少岁数小得多的同行却使人感到衰老、疲惫、安于现状……沙弗兰几乎每天都离不开心爱的大提琴。 As early as December 1935, a 12-year-old boy stepped onto the stage of the Leningrad Philharmonic Association Grand Theater and played Tchaikovsky’s “Rococo” well. As we grow older, prodigy becomes a skilled performer, but new musical ideas that often disappear with the passage of time pass no less than his performance. Every time you attend Danielle Borisovich Shafran’s cello concert, people are always amazed by unexpected new feelings. Negative slack, “the old one” missed him, creative youth stationed. In contrast, many of the much younger peers feel senile, tired, and confronted with the status quo ... Shafran can hardly live his beloved cello almost daily.