戏曲艺术出新的一块丰碑——秦腔现代剧《血泪仇》浅析

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大型秦腔现代剧《血泪仇》是《在延安文艺座谈会上的讲话》(以下简称《讲话》)精神指导下,于一九四三年由马健翎同志创作、被陕甘宁边区民众剧团搬上舞台的。该剧通过贫苦农民王仁厚一家人遭受国民党反动派拉兵派款、压榨剥削,被逼得背井离乡、家破人亡的故事,深刻地揭露了蒋管区的黑暗和罪恶,倾诉了劳苦大众的积愤和仇怨,又通过王仁厚一家人投奔边区后的巨大变化,歌颂了共产党领导的抗日根据地的勃勃生机,展现了中国新民主主义社会的美好蓝图。 Guided by the spirit of “Speech at the Yan’an Literature and Art Symposium” (hereinafter referred to as “Speech”), the large-scale modern Shaanxi drama “Blood and Tears and Enemy” was created by Comrade Ma Jianling in 1943 and was put on by the folk troupes in the Shaanxi-Gansu-Ningxia Border Region Stage The play was endorsed by the impoverished peasants, Wang Renhou and his family, by the Kuomintang reactionaries and armed forces, who were extorted money and exploitation and were forced to flee their homes and families. This story revealed the darkness and evil in the area of ​​Chiang Kai-shek, exposed the indignation and hatred of the working people, Through Wang Renhou’s family’s tremendous changes in the border areas, he praised the vigorous vitality of the anti-Japanese base area under the leadership of the Communist Party and demonstrated the beautiful blueprint of China’s new-democratic society.
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