是谁具有这样的匠心,把紫金庵安排在这东山莫厘峰下?又是谁着意把神情毕现的罗汉金刚,展现在湖光山色的辉映下?是禀河心的灵气,还是赖以人世间的高手,使这小小的寺院,如同稀世的珍珠,放出璀璨夺目的异彩? 婆娑摇曳的翠竹告诉我,枝繁叶茂的银杏告诉我,初春的“碧螺春”、夏日的枇杷、深秋的“洞庭红”一齐告诉我,它不是神仙的妙手变幻,也不是“塑圣”杨惠之的佳作,而是南宋民同艺人雷潮夫妇心血的结晶。 Who has such ingenuity to arrange the Zijin Um in this Higashiyama Mo peak? Who is the intention to put the look of the Lohan Diamond, showing the reflection of the lakes and mountains under the mountains is the natural aura, or depends on the world Master, so that this little monastery, as rare pearl, shine dazzling splendor? Whispering Bamboo told me, the leafy ginkgo told me, the early spring “Biluochun” summer loquat, late autumn “Dongting Red” tell me at the same time that it is not a masterpiece of immortals or a masterpiece of Yang Huizhi of “Plastic San”, but a crystallization of the painstaking efforts of the South Song dynasty and the artist Lei Chao.