如果仅从学习语言运用,叙事、抒情、表意,甚至更进一步,从刻画人物、追求语言表达风格化的意义上讲授戏剧经典剧本,实际上会遮蔽戏剧所以成为戏剧的核心——文体原则。这样的话,除了文字排版方式上的差别以外,戏剧作品就与小说、叙事散文等文体不再有什么差别了。相反,如果引导学 If we only learn from the use of language, narrative, lyric, ideological and even further, lecturing classic characters from the perspectives of portraying figures and pursuing the stylistic expression of language, we will actually hide the drama and become the core of drama - the principle of style. In this case, apart from the differences in the way of typesetting, there is no longer any difference between a dramatic work and a style such as a novel or a narrative essay. On the contrary, if guided learning